Topics – Mark Schultz
New Dramatists is excited to offer our most intriguing workshop yet - Mark Schultz's The Joy of Being Wrong. This 3-hour workshop with writing exercises will meet for one-day only - this coming SATURDAY, OCTOBER 19 12-3PM.
Mark's workshop is part of New Dramatists' dual-service program which brings unique, low-cost writing classes (taught by our award-winning resident playwrights and distinguished alumni) to the general public. ALL PROCEEDS go toward an emergency fund provided for in-need writers who apply...
The Class of 2020: What Does Seven Years Mean to You?
Carla Ching, Jennifer Haley, Samuel D. Hunter, Chisa Hutchinson, Kristen Kosmas, Mona Mansour and Mark Schultz, whom together comprise the incoming playwright Class of 2020, kick-off their seven-year residencies at New Dramatists by answering the question "what does seven years mean to you?" Read More
The New Playwright Welcome kicks off our 2013-2014 laboratory season by celebrating the newest members of our resident playwright company: Carla Ching, Mona Mansour, Samuel D.
New Dramatists Announces New Members of the Playwright Company
New Dramatists, an artistic home and developmental laboratory for professional playwrights, is proud to announce the addition of seven writers to New Dramatists’ company. This talented group of theatre artists was selected by a seven-person committee of New Dramatists playwrights, alumni, and outside theatre professionals from 536 applicants after undergoing a highly competitive, nine-month evaluation process. The playwrights are: Carla Ching, Jennifer Haley, Samuel D. Hunter, Chisa Hutchinson, Kristen Kosmas, Mona Mansour, and Mark Schultz. They will be in-residence through 2020. Read More
New Dramatists alum Daniel Reitz will speak with playwright Mark Schultz after reading select excerpts from Mark's plays.
Space is limited. For reservations please call 212-757-6960.
Artists in Conversation is a readings series created by New Dramatists resident playwright Francine Volpe that includes post-show public conversations between artists. During this series select writers will discuss joyful elements of "difficult" plays.
Upcoming readings in this series include:
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