Time is the Mercy of Eternity: A Meditation in Four Acts

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A quartet of interconnected short pieces examining the nature of violence, and its relation to the psyche and the human body. A suicide bomber who speaks from beyond death, who killed only himself when he might have killed multitudes and who pulled the string on his belt just to make everything stop (When They Quiet Down, I Start) is followed by a the anguished conversation of a couple who have lost their only son in a war, and all that remains of him is a photograph of the lower half of his left leg (Clarisse and Larmon). The Rich Silk Of It tracks the last five seconds of the life of a young, beautiful woman about to be murdered by her ex-fiance; the final, eponymous piece finds the one woman who was the wife of the bomber, the mother of the dead girl and of the lost soldier lying joyously in a display bed in a department store, refusing to leave until the authoritarian Woman in Blazer lies down with her for a kiss.

Cast Requirements

2 men
2 women

Set Description

A bed, a trunk, some overturned chairs.

Press

“Like a cameo with an opera inside…a testament to the power of passionate utterance. Time Is the Mercy of Eternity sparkles!”
Village Voice

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Press

“I like that Margolin begins her meditation by shaking us loose from assumptions we carry with us too carelessly.”
NYTheatre.com

“A quartet of playlets that tackle weighty subjects with quirky humor, quiet beauty, and a sense of profane poetry. Time is the Mercy assembles snapshot moments linked by themes of time, mortality, and the ravages of war upon the body and spirit.”
Backstage

Production and Development History

Productions: Clarisse and Larmon: Humana Festival of New American Plays, Ohio Theatre, Women’s Interart Theatre. The Rich Silk Of It: Yale University, New Haven, CT; The Women’s Project, NYC; Cupcake Café, NYC. Time is the Mercy of Eternity: Britebar, NYC. Entire quartet, West End Theater, New York, NY.