O Wholly Night and Other Jewish Solecisms
Available in Library
Comical/Lyrical Solo Monologue
A Jewish woman discourses on the sexiness of waiting for the Messiah, a fundamental Jewish precept, and applies it comically and painfully to events remembered, simple moments of daily life: her grandmother in the old-lady home, her husband proposing marriage at a funeral home, her baby daughter melting into sleep in her arms, a dress she’s been given by a woman who denies ever seeing “that shmata.” She posits that the Messiah could be anybody, and that we’re all called upon at different times to act as Messianic stand-ins, so it’s advisable to wear clean underwear at all times and treat everyone with grace and respect. A comical, wistful investigation of Jewish identity.
Cast Requirements
1 women
Set Description
A bare stage with an antique dress hanging upstage just right of center.
Press
“O Wholly Night is performative in the true sense of the much overworked term. It embodies and enacts what it discusses. By performing hope, Margolin, in turn, generates it.”
—Theater Week
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Press
“The material takes time to gather power, eventually turning into a poetry of strong, fresh images and unexpected insights.”
—Backstage
“Ms. Margolin’s one-woman show is a deft and delightful balancing act between stories: funny and sad, babies and grandmothers, past and present.”
—Dallas Morning News
“For all her humor, Ms. Margolin has some serious reflections on the cost of being different from the majority, but she makes them deftly, sometimes silently; they linger long after the hour of smiles has ended.”
—New York Times
Production and Development History
Productions: Jewish Museum of New York; Women’s InterArt Theatre, NYC; JCC Dallas Texas; Southern Methodist University, Dallas, Texas; Rude Mechanicals, Austin, Texas; Painted Bride Theater, Philadelphia, PA; countless colleges, synagogues, etc.