Chisa Hutchinson
Alumni Playwright
2013 -- 2020Chisa Hutchinson (B.A. Vassar College; M.F.A NYU - Tisch School of the Arts) is a New York-based playwright and screenwriter. Most recently, her radio drama, Proof of Love, was presented by Audible and New York Theatre Workshop at the Minetta Lane Theater in NYC and can now be found on Audible's digital platform. Chisa’s happily presented her other plays, which include Dirt Rich, She Like Girls,This Is Not The Play, Sex On Sunday, Tunde’s Trumpet, The Subject, Somebody’s Daughter, Alondra Was Here, Surely Goodness And Mercy, From The Author Of, Amerikin and Dead & Breathing at such venues as the Lark Theater, SummerStage, Atlantic Theater Company, Mad Dog Theater Company, Rattlestick Theater, the New Jersey Performing Arts Center, the Contemporary American Theater Festival, the National Black Theatre, Writers’ Theatre of New Jersey, Delaware REP, Second Stage Theater and Arch 468 in London. She has been a Dramatists Guild Fellow, a Lark Fellow, a Resident at Second Stage Theater, a Humanitas Fellow, a New York NeoFuturist, and a staff writer for the Blue Man Group. Chisa has won a GLAAD Award, a Lilly Award, a New York Innovative Theatre Award, the Paul Green Award, a Helen Merrill Award, the Lanford Wilson Award, and has been a finalist for the highly coveted PoNY Fellowship. Currently, in addition to being a Fellow at Primary Stages and a proud but panicked seventh-year member of New Dramatists, Chisa is gearing up to work on a film project with Disney. To learn more, visit www.chisahutchinson.com .
ND Activity
Read Sample
an excerpt from AMERIKIN
Here's an excerpt from my play about a guy named Jeff, who's trying to join a white-supremacist group in large part because he's got a son now that he's trying to wrangle some benefits for. But he's been having some major troubles with his wife, Michelle, who's suffering from violent postpartum. This scene takes place in Jeff's living room.
POOT
(a little too enthusiastic)
Hey! She’s up! How you doin’? You feelin’ okay? Still tired? Husband treatin’ you alright?
(He winks at Jeff with that last little bit. Jeff is
not amused.)
JEFF
That’s a lotta questions, man.
MICHELLE
It’s fine. I’m glad somebody’s askin’.
(A loaded beat.)
MICHELLE (cont.)
I feel a little better today. Took a shower.
POOT
That’s… (“Fuck, that’s what counts as a win these days?”)... that’s great. You look good.
JEFF
You do look… better.
MICHELLE
…Thanks.
(beat)
You know, I got some text messages from some people. People I didn’t even know still knew I existed… Amber Lynn Snead. Erica Dinwiddie. Even Kim Hoffenberger. Who you know don’t want nothin’ to do with me since… what happened with her brother.
JEFF
Okay…
MICHELLE
Yeah, they were all just writin’ to congratulate me and welcome me to the Knights family and find out if there was anything special I wanted for your party on Fry-dee.
JEFF
…
MICHELLE
So. You got in.
JEFF
…Yeah.
MICHELLE
I thought were just going to talk about it more before you just up and joined. And hell, Jeff, even if I didn’t take no issue with ninety percent of the people associated with that group, didn’t ya think that’s somethin’ your wife might like to know?
JEFF
(irritated)
You haven’t seemed to care about much o’ nothin’ lately, so… under the circumstances, no. I did not think that, Michelle.
MICHELLE
Well, maybe if anybody around here cared about me, I could care, too. Did anybody ask me how I was feelin’ after squeezin’ a damn bowlin’ ball out of my vagina?
POOT
(muttering)
I did…
MICHELLE
Did any of those bitches call after Hunter was born or send over a card? A onesie? A damn baby toy from the Dollar General? I didn’t even throw a baby shower ‘cause I knew none of ‘em woulda showed up.
JEFF
Maybe they woulda if you hadn’t fucked all their husbands at some point.
(A pause during which Michelle just stares at Jeff.)
POOT
Wellllll, I should probly /get goin’…
MICHELLE
Why’d you marry me?
JEFF
What?
MICHELLE
Why’d you pick me to settle down with? I mean I’m sure you knew all about me.
POOT
He loves you, Michelle. He’s just—
JEFF
No, I don’t.
POOT
You don’t mean that. (to Michelle) He don’t mean that.
JEFF
Naw, I do. And she knows I do.
MICHELLE
So why me, Jeff?
(All is still while Jeff considers this. Then:)
JEFF
I guess I married you ‘cause I knew you’d be grateful. And… I needed that after… after Alma. After she found out I was messin’ with you and… and aborted my baby… I needed someone to...(big breath)... I needed somebody to think I was worth settlin’ down with. I needed somebody to look at me and go, “Yeah, I wouldn’t mind havin’ his baby.” And there you were. Already standin’ there. Lyin’ there. Wide open. And nobody else would have ya, so I knew you needed me, too. We needed each other. More than we loved each other. We both had so much need. Still do. Thing is, ain’t neither of us been in a position to deal with the other one’s needs. We just reachin’ and reachin’ and ain’t nothin’ there to grab. But that stops today. From today on, we are gonna be there for each other, help each other. We are gonna look each other in the eye, we are gonna talk honest, and we are gonna listen real good. I’m gonna be a husband and a father. You’re gonna be a wife and a mother. And now that we got community we can count on, we are gonna make this shit work. We are gonna fuckin’ function. With dignity. You hear? We are gonna build something our son can be proud of. And then… maybe we can find our way to lovin’ each other.
(Michelle takes all that in. A moment.)
MICHELLE
Gimme the baby.
(Jeff balks big-time.)
MICHELLE (cont.)
I WANT TO HOLD MY SON.
(Jeff reluctantly, carefully hands Hunter to Michelle.
For a moment, they actually resemble a family.
Suddenly:)
POOT
Can I—?
JEFF
Go home, Poot.
(Poot beelines to the door.)
POOT
Thank you.
(End scene.)
Playwright Buzz
Bigger Blacker Better, Please
Chisa Hutchinson talks about how her experience of being a poor, black transplant has shaped her writing and why she's made it her personal mission to write specifically about people of color with Brian James Polak for his American Theatre podcast, The Subtext.
Hear it here.
Chisa Talks Goodness and Mercy with TDF
Regina Robbins interviews Chisa Hutchinson about premiering her most optimistic in arguably the most cynical city in the world.
Click here to read.
SURELY GOODNESS & MERCY Is Coming to NYC
Chisa Hutchinson's most uplifting play is coming to the City of Cynics courtesy of Keen Company. Announcement at Playbill.com.
Chisa Hutchinson To Pen New Play For South Coast Rep
Chisa Hutchinson is currently working on a new play commissioned by South Coast Rep in Costa Mesa, CA.
Learn more here.
Chisa Hutchinson Among First 15 Audible-Commissioned Playwrights
Chisa has been selected as one of the first handful of playwrights to receive a commission from Audible. While all plays are ultimately to be recorded and distributed on their audio platform, some will be selected for live productions in New York City.
Find out more here.
Chisa Hutchinson Finally Gets Some NJ Love
It's taken a while and several NYC productions, but New Jersey writer, Chisa Hutchinson, is finally getting to play in her home-state. Read the Times piece here.
Chisa Hutchinson Returns to CATF
After a wildly successful world premiere of her play DEAD AND BREATHING in 2014, Chisa Hutchinson will be returning to the Contemporary American Theater Festival to debut her weird new work, THE WEDDING GIFT. Get more info here.
Second Stage Welcomes New Resident Playwright, Chisa Hutchinson
As this year's Tow Foundation Fellow, Chisa Hutchinson receives $75,000 and residency at Second Stage Theater in NYC, which culminates in a production in the spring of 2017. Read about all the Tow Fellows and their sponsoring theaters on Playbill.com.
Chisa Hutchinson To Be Honored At The Dramatist Guild Awards
The Dramatist Guild has just released its list of this year's honorees. Second-year New Dramatists member, Chisa Hutchinson, has been selected as the recipient of the Lanford Wilson Award. See the full press release here .
Contact Info
Agent: Di Glazer
ICM Partners
55 East 65th Street
New York, NY 10022
dglazer@icmpartners.com
(212) 556-6820
Manager: Brian Dobbins
Artists First
9465 Wilshire Blvd.
Los Andeles, CA 90212
bd@artistsfirst-la.com
(310) 274-4474