The Playwrights' Lab
Each resident playwright acts as the artistic director of their own seven-year new play laboratory, utilizing a menu of programming resources (at right) to pursue their artistic and career goals. Their Lab work is housed in a mindfully cultivated environment, free from financial and critical pressures, with guidance and support from a dedicated artistic programs staff who encourage expansive and strategic thinking.
Writers map their own journeys with complete creative authority. They are granted unlimited use of workspaces, access to a peer artistic community, and professional collaborators. They choose their own projects and design their own development processes.
All programming is provided completely free-of-charge to playwrights: New Dramatists does not participate financially in our playwrights' works. In fact, all writers and their collaborators are compensated financially when working on extended workshops in the Lab. In total, the projects that were developed through extended workshops this season engaged 115 collaborators and 18 playwrights, in 750 work days—totaling over 5,000 work hours.
Management of the Playwrights Lab is a central part of New Dramatists’ operations. Staff work closely with resident playwrights to provide the casting, stage management, directorial, and dramaturgical resources they need to generate, test, and realize their ideas. Staff also provide the business management required to run Lab activity, including payroll and "HR" support for hundreds of collaborators each year, the majority of whom are W-2 employees.
Please see the Lab Activity Report at right for a complete listing of new play projects and the collaborators who filled our workspaces throughout 2017-2018.
One or Two-Day Sessions
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Readings & Creative Sessions
Calendar permitting, there is no limit to the number of one to two-day exploratory sessions that writers can host during any given season. Residents use this resource in rich, varied ways: as a stand-alone opportunity for a single project, or as part of a longer term development plan using other Lab resources; as a way to search the soul of a play in the company of a trusted circle of collaborators, or as a launching pad to invite industry colleagues to hear a work that is ready for production.
Writers program new play readings with professional actors and directors for work at any stage of development. Writers always have the option, but are under no obligation, to open their work rooms to the degree that it serves their development process. They can invite colleagues, fellow writers, or the public to attend readings free of charge. New Dramatists hosted 49 readings for resident playwrights and our fellows this year. And, to support our alumni writers while bringing them into the orbits of our current residents, New Dramatists offers each alumni writer one reading each, per year. We proudly hosted 14 alumni readings this season.
Intensive, one-day creative work sessions provide space and time for playwrights to meet with key members of their creative teams or to develop relationships with new collaborators. Writers have used creative sessions for brainstorming sessions, for interviews, and for generating work with composers or other artistic partners. Resident playwrights programmed 35 creative work sessions this year.
For more information about individual projects, please review our Playwrights Lab Activity Report.(link at right)
Extended Workshops
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Jerry A. Tishman Playwrights Creativity Fund
New Dramatists' Creativity Fund was established in 2009, with a seed grant from the Andrew W. Mellon Foundation, in response to years of feedback from writers requesting more time, space, and opportunities to develop new work with artistic collaborators. Following a sustaining legacy gift in 2016, the re-named Jerry A.Tishman Playwrights Creativity Fund provides the fundamental, flexible, financial structure to accommodate the abundant, eclectic, writer-driven programming that characterizes our Lab. With this agency, writers also refine their individual creative processes and develop a deeper understanding of the support they need to create their best work.
The Fund enables current resident playwrights to schedule 3-5 day, 29-hour, working sessions on an ad-hoc basis, and to conduct in-depth investigations of new works in the company of their chosen collaborators. During this season, the Jerry A. Tishman Playwrights Creativity Fund supported 14 writer-driven projects, including musicals and plays, with collaborator teams ranging in size from 6-22 people.
For more information about individual projects, please review our Playwrights Lab Activity Report (link at right).
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The Bucket List (Playwright/Theatre Partnerships)
New Dramatists also opens our Lab programming so that writers can host—and lead—their own development process, while incorporating an organizational partner interested in producing the work.
Piloting this season with the support of the Venturous Theater Fund, was the Bucket List, which provides underwriting for the development of ambitious, large-scale, non-musical projects and which facilitates partnerships with theaters interested in producing them. We launched this program with a two-week, 29-hour work session for Mfoniso Udofia’s Ufot Cycle, featuring the contributions of 21 collaborators who helped her to explore six of the nine plays in the cycle in partnership with the Magic Theatre of San Francisco.
For more information about individual projects, please review our Playwrights Lab Activity Report (link at right).
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Frederick Loewe Musical Theatre Initiative
This year marked a transition in our partnership with the Frederick Loewe Foundation. Previously supporting an adjudicated award and week-long work session to a writer/composer duo, along with general support of musical projects, we concurrently hosted the final award work session (alumnus Qui Nguyen and Shane Rettig, awarded in 2015), while launching the Foundation’s re-imagined support for New Dramatists. Beginning this year, the Foundation supported multiple musical-theatre development opportunities annually, via the Composer-Librettist Studio and individual workshops. With the knowledge that they can keep working on these ambitious undertakings that require more time, space, and resources, the Loewe Workshops, which last 3-5 days, will allow writers to invest more time in research and development, and challenge themselves to break out of their creative comfort zones.
Collaborative Retreats
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PlayTime
The PlayTime Developmental Studio is a two-week, in-house retreat for five New Dramatists resident playwrights to explore ambitious new works with a company of collaborators.
2017 Participants & Projects
Christina Anderson: the ripple, the wave that carried me home with actor Kaliswa Brewster and director Robbie McCauley.
Jennifer Haley: Sustainable Living with dramaturg Krista Williams and director Shana Cooper.
Mona Mansour: explores new play ideas using the Joint Stock method with director Scott Illingworth.
Kenneth Prestininzi: Confessions to a Reclining Chair with director Jackson Gay.
Melisa Tien: Mary, a new musical, with composer Matt Frey, director Maria Mileaf, and dramaturg Lisa Timmel.Keelay Gipson, Van Lier Fellow, and Kate Cortesi, resident playwright, served as a PlayTime resource playwrights, offering peer support for the processes of the other five with projects in development.
The PlayTime Developmental Studio is made possible by major project funding from the Ted Snowdon Foundation, Isobel Konecky, and Jody Falco & Jeffrey Steinman.
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Composer-Librettist Studio
For two weeks, New Dramatists turns over the entire building to the Composer-Librettist Studio intensive. Facilitated by Ben Krywosz of Nautilus Music-Theater and Music Director Roger Ames, this nearly round-the-clock intensive sparks early-stage collaborations. Participating New Dramatists playwrights work in rotation with composers from a variety of musical and stylistic backgrounds and an ensemble of performers to develop overnight responses to a range of songwriting assignments.
2018 PARTICIPANTS
Playwrights
Mia Chung
Keelay Gipson
Barbara Hammond
Sibyl Kempson
Cheri MagidComposers
Paul Castles
Marc Chan
J. Oconer Navarro
Milica Paranosic
Zonia Tsang
Performers
Christin Byrdsong
Kelvin Chan
Kimberly Chatterjee
Camille Harris
Jessica MedoffND/CLS Workshop Coordinator
A.P. AndrewsThe Composer-Librettist Studio is made possible by lead sponsorship from The Jerome Foundation. Additional support for musical theatre development at New Dramatists is provided by The Frederick Loewe Foundation.
Rites of Passage
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New Playwright Welcome
On September 11, 2017, we welcomed the class of 2024, to a capacity house in the newly named Seth Gelblum Theatre.
The New Playwright Welcome kicked off our 2017-2018 season by celebrating the newest members of our resident playwright company. The evening includes reading of excerpts from each playwright's work and introductions by members of New Dramatists community.Johnna Adams
Skinless, introduced by Aditi Brennan Kapil (Class of 2021) & Kara Lee Corthron (Class of 2023)Boni B. Alvarez
Ruby, Tragically Rotund, introduced by Matthew Paul Olmos (Class of 2021)Kirk Wood Bromley
Doggo Dumps Fammy, introduced by Matthew Freeman (Class of 2021)Morgan Gould
No Day but Monday, introduced by christopher oscar peña (Class of 2017)MJ Kaufman
Narwahls: Unicorns of the Sea, introduced by Sylvan Oswald (Class of 2016) & Melisa Tien (Class of 2022)Aya Ogawa
Ludic Proxy, introduced by Kate Cortesi (Class of 2023) & Connie Hall (staff member)Jiehae Park
Peerless introduced by Chisa Hutchinson (Class of 2020)Andrea Stolowitz
Berlin Diary, introduced by Arlene Hutton (Class of 2005) -
After Seven Festival
AFTER SEVEN is New Dramatists' annual festival celebrating the playwrights who are completing their seven-year residencies: Joshua Allen, Mia Chung, Kristoffer Diaz, Barbara Hammond, Lucas Hnath, David Wiener, and Stefanie Zadravec. This class dedicated the festival to Joanne Jacobson.
1:30pm: Inception
excerpts of plays that writers were working on when they were accepted into New Dramatists.4:00pm: Realization
excerpts of work explored by writers midway through their residencies
7:00pm: New Beginnings
excerpts from current plays and works in progressSnacks were provided throughout the day and a reception followed the evening program.